Wednesday, April 20, 2016

Harold Lloyd Visits the Evans Studio

One of the things I enjoy about watching silent comedies is seeing Los Angeles as it was 100 years ago.  Whether it is foot chases through Chinatown or a car racing down Hollywood Boulevard, the opportunity to see sights long gone I find incredibly fascinating.  So you can imagine how excited I was to find out that the Evans Studio made an appearance in the 1918 Harold Lloyd 1-reel short Look Pleasant, Please.

Lloyd appears as his glasses character in the ten minute film.  The plot involves a flirting photographer (William Gillespie) who makes a move on client Bebe Daniels.  Bebe's response is to call her husband, who immediately heads off to the photographer's studio in a jealous rage.  Meanwhile in a nearby store, grocery clerk Harold is being chased by a group of cops after trying to cheat a customer.  His flight, no surprise, takes him to the photography studio, where the very frightened photographer offers him the opportunity to take his place, in hopes that Bebe's jealous husband takes out his anger on the wrong man.  At this point in the film, the action get chaotic (or should that be more chaotic), as Harold tries his hand behind the camera, with the expected slapstick results, and the husband shows up ready to kill.

 
Lloyd and Snub Pollard in front of the Evans Studio

 While the interiors were sets, the exteriors of the studio were shot at the entrance to the Evans Studio.  Interestingly, no effort was made to hide the name of the studio, with the Evans logo clearly seen on windows and awnings.

Snub stands by as a group of women head into the studio.  Probably not an uncommon sight! 

When I first heard about this film, I was curious to see if the photographer might have been modeled after Evans.  Although one could imagine that someone who was becoming known for his photographs of young ladies in bathing suits might get a reputation for flirtatious behavior, it's more than likely that the plot of the film was already set before the location was chosen.  It's also likely that Evans offered the use of his studio for the chance at some free publicity for the barely year-old business.

One bit of irony: Evans seems to have never photographed Harold Lloyd.